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In this lesson I will show how you can use advanced rhythmic concepts like odd time signatures and tempo changes to create more interesting musical passages. If you mix them in with simpler ideas you can create something original without losing the flow of the song.

“Good Enough” is the first track from Less Than Jake’s “See The Light” released in November 2013. The song drives skank rhythms in the verses and full distorted choruses.

This short lick will show you how to merge a tapping and a picking phrase together.

Learn how to turn a cover song from chords strums to a pro performance. Backing track includes vocals!

After You've Gone is a 1918 jazz standard composed by Turner Layton with lyrics by Henry Creamer. This song is an inevitable part of the gypsy jazz repertoire. In this lesson you will learn how to improvise over the changes and improve your jazz/gypsy jazz phrasing and vocabulary.

Take your phrasing and technique to the next level with this lesson, where we'll be looking at 10 different licks and sections of solos taken from some of the greatest guitar players from the last decades (Andy Timmons, Eric Johnson, Greg Howe, Jeff Watson, Joe Satriani, Kee Marcello, Shawn Lane, Steve Vai, Vinnie Moore, Yngwie...

This lesson demonstrates G major scale played in triplets (three notes per string) up and down the entire neck (22 frets). This lesson is meant to improve: knowledge of the notes on the fret-board, alternate picking, coordination between left and right hand, recognition of the major sound and its modes, improvising approach.

Here is my little introduction into "two handed tapping" technique - (both hands over fretboard). Playing this way you'll reach very interesting (more like keyboard) sound on your guitar...and it looks very cool on stage ;) Steve Vai does the same in his song "Bulding The Church" !

Outside playing is a concept that most modern fusion, jazz and rock guitarists want to get to grips with. This lesson and spoken videos will take you through various concepts and ideas for playing outside chromatic notes.

C major scale played in triplets using three notes per string up and down the entire neck.