The purpose of this lesson is to teach you how to practice and apply three note arpeggios and their inversions. Three note arpeggios we call the extraction of the notes of a 3-note chord.
This lesson will help you to spice your approach of one of the most important point in jazz and fusion playing, the II V I. 5 licks are shown and explained using modern ideas of thinking and playing. Interesting points of harmony like diatonic substitution are tackled.
In this lesson we'll work on A Mixolydian, Dorian and Ionian modes
over simple A7, D7 and E7 chord progression.
If you are new to modes then this lesson might be the right for you!
This lesson consists of playing the C major/A minor pentatonic patterns along the entire neck, in sixteenth notes. First with alternate picking and second with hammer on / pull off legato and picking.
Modes For You - Part 3 covers 3 modes, G Lydian, G Mixolydian and G Dorian. Technique wise it's pretty simple and should cover beginner and intermediate level of players.
This lesson is about the CAGED System. Weʼre starting simple with just major chord shapes and root shapes. The root shapes will give you a great way to have reference points all over the neck and will enable you to visualize positions and keys all over the neck more effectively.
An intermediate and advanced example of how to create a cascading and melodic sequence of arpeggios tied together to compliment a chord progression. This lesson will also cover using diminished scale arpeggios to melodically enhance chromatic chord changes. These examples are heavily inspired by Jeff Loomis and Paul Gilbert.
